I want to be clear that I am less upset about The Artist winning than I am about what other deserving movies it beat out. Believe me, I’m sure The Artist was great (I intend to see it during its wide release), but Hugo and Moneyball were also nominated for best picture. Both were deserving movies that I already reviewed. If Hugo had won, it would have been the first 3D film to win Best Picture. If Moneyball had won, it would have been the first baseball movie to win. I bring this up because Hugo and Moneyball were accessible, enjoyable films. They were also really good and dramatic. Why didn’t they win? Were they not traditional enough? Hugo did win in several other categories,(cinematography, sound nixing, sound editing, visual effects) but Moneyball didn’t win in any. I call foul. A similar thing happened last year when the excellent but very modern The Social Network lost to the also great but more traditional film, The King’s Speech.
Again, I want to stress that I am not against good films winning awards. What bugs me is the accessibility gap. In an earlier review, I voiced concerns that The Adventures of Tintin, an excellent and accessible film, wasn't even nominated for best animated feature. While the eventual winner of the category, Rango, was pretty good film, I have my own issues with it in terms of accessibility. Personally, I found that Tintin was easier to follow, had more likable characters, and relied less on old cinema in-jokes. For proof, I point you to both films' world-wide grosses: Tintin grossed $373,567,516 and Rango grossed $244, 57,58 1(boxofficie.com).
I have other issues with the Oscars, Like Harry Potter not winning a single award, even for makeup, but this article is long enough. Thanks for reading it.